Radio voice actor websites, with the station sound first.

Radio producers listen to a few seconds and move on. Your site should put the sound they are casting first and say how fast you deliver.

What a producer listens for.

What matters when someone is casting radio voice actors, and how the site answers it.

Spots, imaging and promos
Station imaging, sixty-second spots and show promos are cast by different people. Give each its own labelled sample.
Short and clean
Radio is heard in the car and on the kitchen counter. A tight, clear read of fifteen to thirty seconds shows you can work to length.
Turnaround as a selling point
Local radio is often booked on short deadlines. Say how quickly a stock read or a revision comes back.

Examples of the labels a producer sees before pressing play. Final labels are agreed with you.

Files that drop into a studio
Say which formats and loudness you deliver, so a station can use the file without reworking it.
A route for urgent briefs
A booking route that asks for the deadline first lets you answer the urgent jobs.

Something else? Ask it when you request a quote.

Should imaging and spots be separate samples?

Yes. Station imaging uses a stylised read; a retail spot is conversational. Separate samples help each producer.

How long should radio samples be?

Short. Many producers decide in the first seconds, so keep each clip tight.

Can I show station work I have done?

Only with permission. Otherwise record your own copy and mark it as a demonstration.

Tell us what you are planning. We reply with the scope and what we need to quote it.