Websites for voice actors that get you
heard first.
We design your site around your reels, so a producer hears you before they read about you.
01The concepts, one by one
Eight voices. Eight complete identities.
Each one starts from how the actor sounds and the work they want more of. Fictional actors, not client results.
Concept project · fictional voice
Nora Lindqvist
Documentary · Nature
- Need
- Sound as calm as the films she narrates.
- Design decision
- Bone, moss and birch, a light grotesque and a lot of air around every element.
- What a producer can do
- Watch the selected films, play a reel by register, then send the script and the cut.
Concept project · fictional voice
Daniel Hart
Commercial · Promo · Trailer
- Need
- Let a producer hear the right reel in seconds.
- Design decision
- Night colours, one signal yellow and a heavy condensed headline, so the site sounds like the read.
- What a producer can do
- Pick commercial, promo or trailer on the first screen, then book with script length, usage and deadline.
Concept project · fictional voice
Mara Ekholm
Audiobooks · Long-form
- Need
- Show that she can carry a ten-hour book.
- Design decision
- Warm lamplight, one serif and an oxblood accent, set like the first page of a novel.
- What a producer can do
- Listen by genre with the text read along, browse the titles on the shelf, then request a title.
Concept project · fictional voice
Alex Lane
Animation · Games
- Need
- Make a varied repertoire easy to explore.
- Design decision
- Cobalt and coral, a bold grotesque and every character as a card with its own sample.
- What a producer can do
- Filter the cast by animation or games, play any character, then send the sides.
Concept project · fictional voice
Claire Whitfield
Luxury · Fashion · Fragrance
- Need
- Look like the brands she voices.
- Design decision
- Black velvet, ivory and gold, a Didone headline and a ribbon microphone in the spotlight.
- What a producer can do
- Hear the fragrance reel, browse by category, then enquire directly or through her agent.
Concept project · fictional voice
Jonah Okafor
Sports · Esports · Promo
- Need
- Carry the energy of a final round.
- Design decision
- Acid lime and magenta on black, a wide heavy display face, cut corners and a live ticker.
- What a producer can do
- Pick the energy, hear the esports reel, then drop the script for a same-day slot.
Concept project · fictional voice
Theo Park
E-learning · Explainer · Tech
- Need
- Win a training or product team’s trust fast.
- Design decision
- A bright product-style layout, bento cards and live captions under the player.
- What a producer can do
- Find samples by what you are making, check languages and turnaround, then get a quote.
Concept project · fictional voice
Ruth Calloway
Radio imaging · Storytelling
- Need
- Sound like a friend on the radio.
- Design decision
- Walnut, burnt orange and a soft retro serif, with an on-air light and sunburst cards.
- What a producer can do
- Tune in to three reels, read about her years on air, then book Ruth.
02Before and after
One site, before and after.
A tidy site with the wrong priorities: a good photo, a tagline, and the demos one page away. Here is what a producer meets on it, and what we change.
- 01
BeforeA photo and a tagline. Nothing to play.
AfterReels on the first screen, one tap from playing.
- 02
BeforeThe demos sit on another page.
AfterEvery demo on the home page.
- 03
BeforeOne showreel for every kind of job.
AfterA reel for each kind of job.
- 04
BeforeA contact form that asks nothing about the job.
AfterBooking that asks for script length, usage and deadline.
Invented site, our design. The same voice, rebuilt around the reels.
Request a quote03Everything in one place
Everything a working voice actor needs. On one site.
Your quote sets the scope, schedule and revision rounds before work begins.
- 01
Your demo reels
Every reel one tap from playing, sorted by the work you do: commercial, narration, animation, games.
- 02
A visual identity
Wordmark, colour and type, built around how you sound.
- 03
Your socials, in the same identity
Every channel linked from the site, with share images and profile headers that match it.
- 04
Your story and your booth
Bio, photos and studio specs: Source-Connect, ipDTL, turnaround.
- 05
Selected work
The clients and credits you are free to show, each with the spot or title behind it.
- 06
Booking that asks the right things
An enquiry route that asks for script length, usage and deadline.
- 07
Languages and representation
Languages, accents and your agent’s details, where producers look for them.
04How it works
One conversation. Nothing gets built until you approve it.
It starts with a conversation about your work and the jobs you want more of.
Define
Tell us what you need and share your current site or materials. For an existing site, we read it the way a producer does.
Design
Review the direction and the presentation of your work, on desktop and phone, and approve it before we build.
The identity and the layouts, approved before build. Build and launch
We bring the approved design to desktop and mobile and connect your domain.
Live on every screen, matched on every channel.
After launch. Monthly care keeps the site fast, safe and current, and we add your new demos and credits for you.
Do I need a website already?
No. We design first websites too, starting from your demos and the work you want more of.
Do I need new demos?
No. We build around the demos you already have and organise them by genre and language.
Can I keep my domain?
Yes. The new site goes on your existing domain.
Can I update the site myself?
Yes. You can add demos and credits yourself, or send them to us and we add them for you.
I have an agent. Does that change anything?
We can show your agent’s details next to yours, so producers know who to contact for each kind of job.
How much does it cost?
Each project is quoted once we know what it needs. Request a quote and tell us about your voice and your site.
Your voice, heard first.
Request a quoteTell us what you are planning. We reply with the scope and what we need to quote it.
