Documentary narrator websites, with authority and pace.

Documentary producers listen for authority, pace and warmth in the same voice. Your site should show them which of those you are, within seconds.

What a producer listens for.

What matters when someone is casting documentary narrators, and how the site answers it.

Register before range
Nature, history, science and true crime sound different. Label each read so a producer can find the register they are casting.
Pace you can control
A narrator is judged on breath, pauses and how the line lands under picture. Show a read with space in it.
Credits you can name
List the films or series you voiced, with permission, and say which are demonstrations.

Examples of the labels a producer sees before pressing play. Final labels are agreed with you.

Reels with the film behind the read
Where you may, show the voice over the cut it was made for, with the script beside it.
A clear route to a booking
Length, usage and deadline asked up front, so the first reply can be a quote.

Something else? Ask it when you request a quote.

Is documentary narration a separate reel from commercial?

Yes. Pace, tone and usage differ. Keep them as separate reels with clear titles.

How do I show narration without credits yet?

Record original scripts in the style you want to be booked for and mark them as demonstrations.

Should my site list broadcast and streaming work separately?

Only if the distinction helps a producer. Credits by title are usually clearer than by platform.

Tell us what you are planning. We reply with the scope and what we need to quote it.